Light Coming Out From Dark

December 18th, 2008

 

The Big Blonde and her Small Animals

The Big Blonde and her Small Animals

 

 

     We’re moving toward  Christmas now; closer and closer we get, my children, my beloveds.  Listen to me, because I have a ceremonial theory that the celebration of death, which begins with the Day of the Dead or Halloween, progresses on to the Day of the Dead Bird - Thanksgiving - in which we eat the dead, finally, (although a dead of the avian kind) and,  saddened by this ritual murder  - and looking forward for one more month or so to steady decrease in light - we begin to manufacture light and therefore hope for our saddened selves in small and colored ways.  We make up elaborate Christmas fantasies, but each at its core has to do with the lightening of dark and not the darkening of light. We’ve finally had enough of darkening.  We want light. That’s my theory and that’s my story.

     When I was a kid in Fresno, the one thing we did each year at Christmas was the piling into whatever car my dad had - he was selling used cars through much of this time - and head for the rich people’s houses on Van Ness Avenue.   For two miles on a street where old people had planted trees tall enough to be lit at night in Decembers, for almost a hundred years, Fresnans had inched their cars with headlights hopefully off down that  tunnel of fantasy called Christmas Tree Lane.  In the Fifties of the late, lamented and thoroughly last of centuries, the cars were as beautiful to look at as were the Santas-in-Sleds or Playful-Elves-Around-The-Chimney or all the lighted mansions. (In Fresno, anything with two stories is technically a mansion.  We are a people of one-story ranch houses, for the most part, and any elevation is looked up to.)

     Out of the darkness come the little lights.  Up here on Mystery Island, it’s now the season of sundown at four-thirty and that just seems to give the Christmas lights an earlier opportunity to shine.  It’s been snowing this week and the little lights glint off the snow and the lightedness is doubled or so. The little lights shine in the dark. I feel much better once the lights are shining and I leave them on all the grey and snowy days as well.  My friend Mrs. Lobo gave us an eight-foot-tall snowman with an orange carrot nose who shines and waggles in the wind and wishes Happy Holidays to everyone who drives onto this island because we’ve set him up in the corner of the pasture that the whole island passes by every day. And night.

Did I mention the part about the little lights coming out of the dark?

Halloween 2008

October 27th, 2008

     Every year the Dead would visit him and when they did he would not tell them to go away nor would he welcome them quite.  He was polite, offering them what little he had in his cupboard, and he would extend himself for tidbits of conversation. Outside his little house, witches would fly aloft like cardboard blacknesses, brooms tucked tight between their legs. On his porch were orange heads with glowing eyes and jagged teeth and candles guttered in sconces on his sagging walls.

     When silences fell upon the little conversations, he would stay still as one does with Native Persons when there is no need to talk and so no one does. We ride in silence, we and the hitchhikers, in this case Navajo kids from Many Farms or thereabouts. In Navajo Country, the hitch-hiker will not look at you, walks quietly backwards so that when you stop and pull off to the side of the long red road and step out to motion him into your car, he is now looking at you for the first time. You must nearly beg him to ride with you and there is no conversation once inside and travelling. It was that way with him and the visits of the Dead.

     When the Dead came visiting, they often wished to dance and drink beer. When the Dead came visiting, they seemed to want to forget, to get a little high, to talk a little loud, to sing a bit.

 Dead in automobiles would slowly drive by outside his house, the booming thumps of their magnificent sound systems rumbling through the foundations of his house. Their blown V-8 engines purred like panthers, black in the Southern forests. The Dead preferred the big band sounds of El Salvador and the strange Norteno sounds of Los Tigres and would park their rigs and join the party. The strange skulls of the partiers were not good at showing emotion, but sometimes, as he sat in silence watching the dancers, he thought he could see a smile here and there.

 

    “I’m hungry for sugar,” said the child and her mother said “Quiet, little one. The nice man will feed us soon. He asks for nothing and fears us little and is quiet and unassuming and genteel.”

     “Still, I am hungry,”  complained the child.  She had travelled a long way from old high altitude caves where she had been bound in odd positions for some centuries, and her skin had shrunk down on her bones and the tragic story of her former wet and fleshy parts had been at least partially discerned by the producers of at least two semi-scholarly film documentaries commissioned by the Public Broadcasting System.

     “We are proud people,” whispered her mother. “We will wait for him to offer us sugar.”

     When he finished showing the big skull with the iron eyes how to plug in the CD player and the other skull thing with the necklace of thighbones had boosted the EQ to emphasize the rock-solid bass players of the South and the beer was flowing, he would motion to the skeletal child and offer her sugar in the form of little heads made of the stuff and other little things, butterflies and crosses and saquaros and woodpeckers, all of delicious sugar. All the Dead would eventually have a bite of sugar somethings, even the ladies with luscious hips and skeleton faces rouged and painted would have a tiny bite, so tiny that it posed no threat to their wonderful figures. The girls in the little skirts and halter tops and high, high heels who danced with each other out by the sulking lowered cars passed sugar from his kitchen each to the other.  All the dead would eat and dance and have a beer or two and slide away into the night until finally he was alone.

October Nineteenth

October 19th, 2008


 

     Fall is fallen. The red trees are red and not faking green. The yellow trees have slipped in overnight and tower above humans chastened by diminished daylight.   It is not light at ten or nine or eight in the evening. It is not light at six in the morning. Our world is getting closed down.

     Two more weeks of electoral insanity, to be followed probably by lawsuits and recounts and insults and assaults. I have friends who have lost half their imagined wealth in the space of a year or two.   Our world is getting closed down.

    So the screen gets darker at the top and darker at the bottom and the light in the middle seems wider, perhaps.  Maybe that’s why ceremonies get more complex in Winter.  The light side of the year is all wacky fun and the dark side is severely ceremonial.    The dark is narrower and wider.  You have to stand back, all the way behind the last row of seats, leaning against the back wall, watching the little figures in the light and listening for their words.  It all means something, no doubt.  We await the reviews, the steam geysering out from the vents, the newsies dodging the delivered bundles, the playwright ripping open the edition to find the page.  It’s two in the morning and the reviews can’t be good.  The damn thing tanked in the third act.  People were slipping out the doors, giggling, right past the playwright still leaning against the back wall, no longer taking notes.  There was a stab at spirited applause, but it fell short and actors were left at the last call ducking their way back under a falling curtain to the silence of people standing up and looking for the exits.

      Or, there could be a Democratic victory and both houses of Congress and the battered but now powerful Executive Branch could line up and force the McCaniacs and Bushmen and Palindromes back into their huts for a moment while the foolish, well-meaning and left-leaning leftouts try to figure out what to do. You wonder at the Obama Dilemma.

     Cheneybush have so returned secret power to the presidency that The Kid would have to think once or twice about relinquishing what they’ve left him.

      Faust for President.

October 6

October 6th, 2008

I’ve posted Chapter 21 of Beaver Teeth in the sidebar. And under the Blogroll category, I’ve included an interesting link to Goon Shows, if anyone’s interested.  It’s always fascinating to me to listen to Milligan’s work as a writer, and I must say it’s influenced me for years. The core of the Goons is his writing, once you get past the considerable charm of Sellers and Seagoon and Spike himself as performers.

This was the year when not only did we not go to the Big Fair, but didn’t go to Oysterfest either.  It’s been a rocky time with our kidz and their idiot parents and they’ve moved and we’re stuck with trying to sell their house (the one we bought out of foreclosure when Dad went to jail, etc.) in a stunningly evil credit market.  I’m sure we’re not alone here, but they trashed the house and now we’ve got to put yet more money-we-don’t-have into repairing damage, a new roof, etc. It saddens me to feel our influence lessening on the twins, but what can we do?  They’re in middle school now and inevitably change was going to happen and blah and blah.  Life goes on.  Presumably.

The new Firesign Theatre box set (Box of Danger) is just released and sits happily at the moment in the top ten of Amazon comedy albums as well as number one in Spoken Word and Radio there. No reviews yet. I’m happy with the package and, as usual, haven’t really sat down and listened to all of it and probably won’t. I did rewrite and re-record the final cut (called “Scaled-Down Danger”) so at least one thing is virtually new. The company that produced it is called Shout!Factory and is headed by Richard Foos who was one of the two original guys who invented Rhino.  Very nice and very honorable people. And Taylor Jessen, who sometimes contributes to this site, production-managed the whole project for us and did a wonderful job. 

If anyone gets a minute, please make a comment to this post so I can check and see if I need to nag people because somehow I’m no longer getting my usual email notification when someone posts. And to Dana in particular, if you post a link to any pictures, I can download and put it up into a post so everyone can see it.

September 28

September 28th, 2008

 

 

 

 

 

Big Blonde on the left, me on the right.  This is a detail from the Bil (that’s right, one ‘l’) Stout album cover of Firesign Theatre’s “In the Next World, You’re on your Own.”

 

Thanks to RobberG’s suggestion, I’ve opened a new section in the sidebar to the right with stories and I’ve started with “The Precipice of Angels.”  I hadn’t looked at it in a long time and I’ve been so much writing about the American West lately that I’d forgotten that the kind of Euro style to it works.  You’ll notice that I’ve drifted away from Good Writing.  That last sentence is, as I’m sure John McCain would say, a doozy.

 

It’s suddenly Summer up here on Mystery Island.  After three months of pretty constant rain, the sun is out again.  It’s been three weeks in a row of great weather.  We’re insane up here. Let the country collapse in sub-prime despair.  Let the credit cards not work. It’s nice outside.  By the way,

“You can put all the lipstick on John McCain you like,

  He’s still John McCain.”

I said that.

Now we start again

September 22nd, 2008

     Well, it’s been a while but I’ve finally posted Chapters Nineteen and Twenty of Beaver Teeth over on the right there, for anyone interested, and I’ve revamped this blog and sort of learned how to work this new format and I’m returning to the older blog format where I can post Beaver Teeth stuff over on the right and return to more frequent postings ala a normal blog.  Not that it’ll ever be normal, because I get into these stuck areas where I don’t post for months because I’m worried about something or other.  Lately it’s been the progress of Beaver Teeth.  I’ve been working on this novel since the early Nineties of the lamented last century and there are some twenty chapters to go, but the re-writing has become more burdensome and necessary as I actually confront what I’ve got myself into.

     But, on the other hand (where is that other hand and what is it doing?) I’ve finally reached some conclusions and I’m finally moving ahead.  I’m happier, that’s for sure.  Thanks to everyone who reads this blog for the patience.

     Erin, the guy who theoretically manages this blog for me, is going to get the posts we’re still missing up if I nag him enough.  At least the old ones are back, listed as Manila, for reasons no one needs to know.

     One thing missing is the ability for anyone to post pictures directly to the comments and I’ll try  to figure this out pretty soon.

     First, we’re going camping for a week.

Beaver Teeth, A Novel

September 12th, 2007

My novel, Beaver Teeth, is being unveiled, chapter by chapter, over there on the right under the Stuff label. I’ve revamped the way it’s set up as I’m getting used to managing Wordpress.  Still hoping that Erin is going to get the newer comments back and put them here.


Addendum to Beaver Teeth

September 7th, 2007

These three discussion messages were the first on Beaver Teeth and I’ve been rearranging things on this page and can’t figure out how to include them in the new discussion group, so I’m keeping them here. And Zen, by the way, I’d love to hear what you or anyone else thinks about B-Teeth. That’s the reason I’m posting it, to try to get it out into the conversation.

We Three Kings of Tacoma Are

December 22nd, 2006

WE THREE KINGS OF TACOMA ARE

by Phil Austin

( Prolegomenon and copyright info)

THE CENTER PANEL

Not too many years past, in that region of the Pacific North where people have settled, wisely or not, around the base of the great volcano Tahoma, and specifically in the misspelled city of Tacoma, in the State of Washington - and on a dark and stormy night - the sodden figure of a drunken man fell to its knees in the humble neighborhood near St. Bart’s mighty old dark brick church set high up one of the seven hills above the twisted mystery of the lower Puget Sound. This drunken man on his knees did not pray, but belched hugely and vomited copiously into the welcoming gutter and then he breathed mightily and sat down on the icy curb. It was late in the month of December. He fumbled in his stained garments for a cigarette, the butt of which was found and lit only by using up three old greasy wooden matches. The matches each sputtered blue sparky fire into the Tacoma night.
A lonely car sped by, its tires splashing up a freezing surge of water, spraying this horrible, but by now smoking, man. He solemnly cursed each car that passed, as best he could.

“Fuckin’ Cavalier!” he would shout at a Chevy Cavalier. “God damn fuckin’ Invicta! Cock-suckin’ Toyahto!” and so forth. He gave the finger to each. “Man, ooooh MAN!” he shouted out, for no good reason, in a loud tone of gloom and drunkenness.

Then a little old car passed by, a little old hippie wagon, he thought, but he couldn’t quite remember the name for it and so he let it pass. There was a dog inside, he could see, and an old man driving and perhaps the face of a young woman with troubling eyes.

His name was Schrobberbeeck and he was drunk and filthy. He had on clothes, and that’s about all you could say about them. He had a beard, did Schrobberbeeck, but it wasn’t much of a beard. He sucked grimly on his damaged cigarette and water from his sickened shoulders dripped down into the old brickwork gutter. From inside the dimly lit and secret sanctuary of St. Bart’s he could hear the shaky little choir practicing the familiar songs of Christmas. Sad colored lights of the season blinked valiantly, strings of them having been draped over the old church by sober worshipers. The portico leaned at an angle somewhat canted to that of its steeple. The night was dark and darkening yet.

A little thing of light from far away shone down the hill and it came closer and got bigger. It was a flashlight approaching and behind it was Schrobberbeeck’s old friend Pat, sloshing up to him in the dark night. Pat (as Pat himself had often enough said) was a large Negro of a man and while he was as poor as was Schrobberbeeck, he was unlike his friend in that he was not a great drinker. He preferred decent marijuana, did Pat, and the twelve-dollar wines of California in what he liked to think of as moderation. Pat’s life was marred to a great extent by a mysteri-ous past and he counted himself a tragic figure for reasons never quite revealed to his friend Schrobberbeeck nor to much of anyone else. He walked with a great limp, did Pat, a crippled limp in fact, and and he tended to cars for a little living, he washed them and he sometimes parked them and for whatever reason, on this night, he was in a state of transcendent grace and triumph, which was lucky enough given Schrobberbeeck’s sad condition of damnation and drunkenness and defeat.

“It is Christmas again, Schrobberbeeck you fucking asshole!” Pat shouted out. “And it is time, my old friend, for the Three Kings to walk! Let them stride out into the heart of this dark and Holy Night! Is this not true? This night, this holy night, set aside for the celebration of the birth of Our Lord! In this land! Even here high above the mighty fucking Puyallup River!”

Pat’s words rang out into the freezing night. As if in response, somewhere down in Tacoma, a Harley-Davidson motorcycle roared to life. Frigid shafts of milky light struck down through shattered little clouds. The iced moon shone out briefly and then was gone.

Schrobberbeeck hiccupped gamely. He vomited again, a small but virulent vomit.

“Lord, but it smells like Hell itself out here, Schrobberbeeck, old son! God himself would be proud of such a stink!” And Pat hoisted his drunken friend up onto feelingless feet and so propelled him into some ceremonial and hopefully useful action. He had to do this pretty much every year because he needed money every year, and so needed Schrobberbeeck, however drunken his condition. Besides, it was exactly the season of forgiveness and of drunkenness.

He needed Schrobberbeeck on every blessed Christmas when he and Schrobberbeeck and their friend Crab Man would then, upon his urging, carefully remove the sacred symbols of their kingship from the secret places where they had been hidden all the year long, mostly tucked away in the rafters of Schrobberbeeck’s sagging garage on the alley in back of his downtrodden little house on Alder Street. These holy symbols were hidden there because Schrobberbeeck was the only one of the Three Kings who actually lived in a house, such as it was, and had therefore a garage, such as it was, and therefore a fit place in which to hide things away.

In the blessed season, the three of them would find up there the marvelous silver star of heavy-duty aluminum foil atop its long telescoping aluminum pole, once a fixture of some North End swimming pool; they would produce again their cardboard crowns and swords, wrapped in regular-strength aluminum foil by innocent third-graders at the Longfellow school and stolen from them with no regret; they would carefully lift out the manger, cleverly fashioned from a supermarket cart never returned to the Thriftway market, filled with glittery paper for straw and, as in every year, Pat would not have to blacken his face in order to portray the Dark King. The joke was as good this year as it was every year and, as in every year, the Crab Man and Pat laughed, although Schrobberbeeck, being too drunk on this night, did not.

Crab Man was so-called because he eked out a smallish living selling crabs to idiots and tourists down on Ruston Way, lurching from bicyclist to roller blader with a portable tray full of evil-smelling old dead crabs on not much ice. He worked out of the back of an ancient GMC Suburban decked usually with signs reading: “Crabs, One Dollar. Fretch Shrimp.” Crab Man was as stubborn and secretive and clever and sideways as a crab and pretty much a confirmed smoker of cocaine, although he did not exactly admit to it. He needed money, for whatever reason, and more than once had resorted to easy burglaries in neighborhoods accessible to his ancient vehicle, or so the police of Tacoma will be happy to tell you. He had long stringy hair and a devilish moustache and beard and he was one of those people whose frayed jeans seemed to cut across worn-in old high-heeled cowboy boots at exactly the right place. Crab Man was known to be attractive to certain women of the town, in other words, and that made of his life a living hell, as he was quick to point out to his two best friends, who, if he had to name them, would have been Pat and Schrobberbeeck. For the most part, Crab Man lived in Schrobberbeeck’s decrepit front room on a couch whose springs had seen one or two many thumps from one or two many rumps. When he needed to deal seriously with the annoying women of the town, he would take them to the trailer he theoretically owned, the old aluminum one parked down by the Puyallup River, under tall alder trees filled with roosting crows, because he was technically an Indian and the river land was Reservation Land. He was only about a quarter Puyallup, but that was more than enough, as he often said, certainly more than once.

It turned icy cold and crisp and finally began to snow on the Christmas night that these Three Kings, decked in their sacred symbols and pushing their manger on supermarket wheels, set out to sing their Christmas carols in this year in the city of Tacoma, which is a place of temperate enough climate - with albeit much rain - that snow is almost always a novelty. For it to snow - good snow, snow that stuck - could be counted almost a miracle in this place and especially on this night.

The three sad figures, after some years of practice, could sing “Silent Night” pretty well. They could sing “We Three Kings of Orient Are,” both the versions sacred and profane. They could sing “Adeste Fidelis,” although they had not one idea between the three of them of what any of it meant. They made quite a sight in the slump of thick snow that fell over Tacoma at rush hour, in the darkened night. They wore fake beards and robes that held many patterns popular with bathrobe makers and their great silver star glinted brightly above them when Pat twirled it on its long pole. It was more snow than Tacoma may have ever seen and it came down slowly, without wind or storm. It came down for hours that night. It snowed and then, amazingly, it snowed some more.

And these were flush times for Tacomans, the year had been a prosperous one and the goods and services, the fish and lumber, the cameras and carwashes, the meats and the motors and the glassware, the everything and the everything else had all done pretty well and the fattened people of the town sat before their glowing TVs and contemplated at least this one Christmas without need.

Not only pedestrians but slowing cars gave money to the Three Kings this year in amounts they had never before imagined. For a while they stood amazed on the corner of Division and Tacoma and sang “Jingle Bells” at the top of their lungs, but the traffic was piling up to see them and give them money and so - at the polite request of Sergeant Ng of the Tacoma Police - they moved down onto Pacific Avenue, that important boulevard, under the gentle wash of an amber streetlight that bathed them with what could have been a holy light, the way it cut neatly down through the falling snow. There, too, people seemed eager to give them money. They were wished “Merry Christmas” time and time again, and they would shout it back with the good cheer that naturally comes as coins and bills pile up in your manger, making it so heavy that it could not be wheeled, but had to be dragged from place to place. They drank from bottles concealed in their robes and Crab Man left briefly at about nine-thirty and returned with a gram of cocaine that kept each King awake and alert, singing and full of cheer.

It was almost midnight, certainly quitting time for the Three Kings, and Schrobberbeeck could barely refrain from counting all the coins and bills right then and there when a big dark stretch limousine pulled up, its many tires crunching in the snow, and a rear door opened and a voice issued out. It was the voice of a man, a deep-voiced man. He had long hair dyed three colors down to his waist and was wearing an expensive black three-piece suit of elaborate design. Half of his head was shaved and dyed a purplish color. His shirt was open and necklaces were draped around his throat. His fingers were studded with rings that flashed fire brighter than Schrobberbeeck’s wooden matches into the night. On his feet were high-heeled boots covered with the skins of animals never before seen in Tacoma and which Pat immediately thought were worth more than he on the open market. Pat was not on the open market, which was the way he put it, ever aware of his troubled ancestry.

“I am an Enslaved-American, not an African-American. I am a child and grandchild and great grand-child of the survivors of slavery. We are adapted to slavery as naturally as a woodpecker is adapted to pecking wood. And here we are, genetically ready to please, in a country full of mother-fuckers comically dead set against what they seemed to be absolutely committed to a hundred and fifty years ago, to the point that this very nation would not have been worth fighting over were it not for our Enslaved Negro labors.” This was the way Pat talked when he had some decent marijuana and a bottle or two of Pinot Noir from the Napa Valley. (If Schrobberbeeck joined him in smoking marijuana, after a pause, he would ask if the woodpeckers were absolutely committed as well and after a decent pause, Pat would just laugh like hell.)

“You’ve got a point, Mr. Man,” said the Rock-and-Roll Person from Seattle, after Pat had regaled him with something close to his usual Enslaved-American speech. “We’re free tonight because of you. What’s your name?”
“I am the Dark King,” said Pat with some dignity.

“Well, here, Kings of Men, have a cigar or three,” said the man, offering them several expensive-looking cigars in his bejeweled hand. “And a Merry Christmas to you.”
“That is not a rubber cigar, is it?” asked Schrobberbeeck suspiciously.

“No, it isn’t, not at all,” the tall man laughed, his little eyes twinkling against the velvet of the luxurious velvet seats. “It’s a damn illegal Cuban cigar, my friend,” he said. The exhaust of the limo billowed out, as if any more of a theatrical effect were needed; the three Kings next to the long black limo in the snow, lit from above by a great shaft of amber streetlight flickering down through the fall of unusual snowflakes.

“Let’s hear you boys sing it, though,” said the great man in the great car.

The Three Kings looked one each at another and smoked at their cigars and then dutifully sang the profane version, hoping for more largesse from this strange man. To be sure, they weren’t exactly sure of all the lyrics. They sang:

“We three kings of Orient are,

Tried to smoke a rubber cigar.

Something, something …

It expl-o-o-ded …

Now we’re something …

Something something.”

“Well, that’s close enough,” said the Rock-and-Roll man meditatively. He reached back in the limo and pulled out a little leather bag, heavy with some important weight.

“Merry Christmas, you three idiotic kings,” said the man, sadly.

     “She doesn’t want to see me.” He stared straight for a moment and then he said, “So I’m going back to Seattle.” The door closed and the great white limousine plowed into the fresh snow in the street, leaving four snakes of blackened tracks twisting off into the holy night.

When the Three Kings looked into the leather bag, they found money, both in bills and some coins, some rare coins as well, some little gold and silver bars and several rings and a necklace worth perhaps some thousands of dollars, thought Crab Man, who did not mention that fact to the others. Still, it was a lot of worth. Schrobberbeeck produced a wooden match. It sputtered blue fire into the night and three cigars were re-lit. They were rich, although Crab Man hoped to be richer.

They headed for the American Wigeon Tavern on Broadway. They would get drunk there and eat prime rib sandwiches with au jus and horseradish, they shouted, but instead, they got lost in snow so heavy they could not find their way in their own city. Christmas seemed far away, the snowfall was so great. Tacoma itself seemed far away. The wind picked up and began to howl and the snow began to drift and there were no cars or passersby on the whiteout streets of the town. They pushed their shopping cart in vain, its straw falling out on the snow. They contemplated automobile theft. The streetlights went out, as did all the lights in town, one by one. The streets were deep in snow. They did not know where they were or where they had come from. For a while, they thought they saw light coming from the gutters of the snow-buried streets. From there, from beneath, they heard a great sound like the magnificent humming of more bees than anyone might ever imagine.

They tried the handles of the doors of cars left foolishly on the unfamiliar streets. They came upon a kind of hippie wagon on Yakima, near Division and the Frisco Freeze. Its little lights shone out into the night. When they tried the door, it was locked, but inside the car they could see that in the back seat there was a woman and a newborn baby who had been wrapped in a leather jacket with a skull embroidered upon it.

The woman and her new baby were set out comfortably enough. The car’s heater had once been working and the interior must have been just warm and the Holy Spirit itself seemed to smile right up at them as they stared through the frozen windshield. A large golden dog laid with its head upon the womanís lap, the baby beside. The old man tried once more to start the car.

“One more step and I’ll shoot you with the gun I have,” shouted the old man at them, but the engine refused to turn over. The Three Kings looked so funny in their stupid tinfoil crowns that the woman laughed in spite of herself. “You won’t do us harm,” she said, in a firm manner. “But if you don’t help us, my baby will freeze solid.”
“Don’t you have anywhere to go?” yelled Pat, scraping ice away and tapping on the window.

“We have nowhere to go and we have nothing to eat,” shouted the old man. ìHo, ho, ho.î

“Well, you can’t let her stay out here,” shouted Pat.

“Go away,” the old man yelled.

ìWe came to ask you the way,” shouted Schrobberbeeck, suddenly inspired from he knew not where.

“This is the way,” called the Old Man, simply. “Come in,” he said to them, making sure they saw his lips move. The doors became unlocked then.

There was a big yellow dog in the car. The woman wore a blue robe with a hood and the old dog lay its head on her knee as she nursed her little child. The little child laughed at them, through his suckling. Schrobberbeek knelt down in the snow, suddenly, not really knowing why he did and so did Pat.

The old man tried to start the car. The little engine turned
but did not turn over. “It’s no use,” the old man said. “Out of juice. We have no money.”
“What do you eat then?”

“We have nothing to eat.”
The three Kings looked at one another and then, without even consulting each the other, they gave the old man and the woman and the smiling suckling child everything they had, including the bag the strange rock and roll man had given them. The woman smiled gently.

“God will reward you,” said the old man. “Ho, ho, ho,” he said, most gently.

The Kings trudged home through the freezing snow.

“Couldn’t the child have been God himself?” asked Schrobberbeeck.

“Don’t be stupid,” said Crab Man. “God has good cars and can clothe himself, even as a child he could.”

“But he was born poor, in a stable, in a manger - whatever that is. I don’t think it was in a supermarket cart.”
“But that was long ago.”
There was a long pause in the freezing cold. “Why, then, did we give them everything?”
“I wish I knew. I wish I knew.”

They found the bar and inside the patrons laughed and sang. They stood outside, with nothing to their names.

 

THE SECOND PANEL

Again, the next year, it was Christmas. Pat was very ill, laid out, sick in bed at the motel opposite the PickQuick Drive-in out on the great road across from the willows by the creek along the road that serviced the great docks of Tacoma. His two friends had gone out without him and yet they sang that they were the Three Kings. He lay in his bed and thought feverishly about the last year when they found the woman and the child and the golden dog and the old man in the hippie wagon and had given them every-thing they had been given.

Pat now felt certain that the little person had been God himself. Since that time, Pat had become a different man. Here is the way, the old man had said. His two friends, Schrobberbeek and the Crab Man seemed to have already forgotten the incident. “How strange, how strange,” they would say, but he could tell they didn’t even really remember.

But Pat had changed his life. He knelt before the statues. He followed after them, he went on the rounds, he forgot his tending of cars. He sang pious songs and tried to atone for his previous sins. He began to freeze himself and hurt him-self for reasons of crazed piety. His leg dragged. He spoke to people about sin, now, something he would formerly have laughed at. People at St. Barts thought he had gone crazy.

He had been longing and looking forward to this Christmas. He kept the star and he made it better. He told his friends he would only go with them if they would give their earnings to the poor, of which there were still too many in Tacoma.

“We are poor enough for all of them,” said Schrobberbeek firmly.

“Any idiot can make a star,” said the Crab Man.

Pat kept the star, with which they found God last year. He would not let them take it.

Pat was dying. Now death came to him. He could see the star, propped up above the clock radio that glowed greenly in the night, playing out its scratchy carols. The moon came out and climbed up the sky. Pat prayed for one more night of life.

He climbed out of the motel bed and fell and rose. He grasped the star and turned it toward the holy moon and he sang:

“We Three Kings of our star are

We have come here from places afar.

We went and searched and searched and failed

We went and searched o’er hill and dale

And there this star stood still

And there we entered with good will”

He cried and cried and turned the star. The child came to him through the snow although it was only rain. The child had a map of the world and an old pencil and a sweatshirt that said Seahawks on it. He was sweet and Pat recognized him at once.

“I have seen this child before,” he murmured. His motel room was filled with the smell of daffodils, although it was far from their season.

“Hello, Pat,” said the little child. “I have come to you since you can no longer come to me. Sing your song again. Sing the part, though, about the exploding cigar. It cracks me up.”

As Pat sang, an apple tree outside burst into flower in the night, as if it had snowed indeed.

“Come with me,” said the little lad. “We have a house now, and a carport and you must come with me.” Pat went with him and the golden dog followed behind. He saw spring in the Puyallup Valley and the crocuses and daffodils were in full flower in the driving and freezing rain of winter on the dark tide flats.

“How beautiful it is,” said Pat and he died.

When Schrobberbeeck and Crab Man came back to look in on him with some guilt, they had collected only enough coins and bills to have gone to the tavern and drunk and they were as drunk as Two Kings might be, but their pockets were empty. They looked in the window and Pat was dead.

When they opened the door to the motel room, it smelled inside strongly of flowers, as if it were spring too early.

THE THIRD PANEL

In the next year Schrobberbeeck became fearful. He was afraid, or so he said, of God himself. He was frightened of Christmas, though, and that was the truth of it. It was Pat’s death, in that last year without snow, that did him in. Now he went to church every day. He was not of the faith, but he went to St. Bart’s every day. He feared truly the coming of Christmas. He missed his dead friend Pat and he missed the Crab Man, for that guy could make him laugh like no one else, but his fear kept him in his old shack. His car died there and he never left except to go to St. Bart’s or to Wright’s Park where he would look at the statues, many of whom, he said, had begun to speak to him. And he would venture out at night to steal.

Crab Man now associated with the devil himself. He had got a job hauling equipment for a metal band and so he was rich and it was said that he worshiped Satan. He was the one who said this, actually. He told a story of crabbing, the wind whipping up a hundred-year storm and taking his clothes away and in this naked state he was blown upon a Satanist in Mason County, where such things are said to be common, and the Satanist, thinking he was the Devil himself, taught him the workings of the book of the Devil. The book was called the Black Ambrosius. He would not crab at night, in fact he would not leave his trailer at night. And he and Schrobberbeeck drew apart and did not see one another. It was said that he was rich and he was not the only one who said it.

Schrobberbeeck was drunk, however, this did not change. And he stole. This did not change. This Christmas, as in the one two years ago when they had seen the child, it snowed like a miracle. He feared Christmas, afraid of some holiness, some awful miracle. The snow piled up and up, the moon was full and night was still and the stars were out in the black-blue sky above. He had decided to walk to midnight mass, in order that the Church might ward off the mystery. He did not take the star this night.

He set out clutching a flashlight although the moon was so full and bright the light was not needed at all. The bell called out in the thick white night. He was frightened. Not another soul was out. He cut through the park. The Christmas night wanted something from him.

Frightened as he was, he looked for the statues in the snow, the deep snow. These were his friends now, the statue of Nietzsche, the statue of Puget, the Mother of Christ, the statue of Vancouver, the statue of Ole Olafson, the statue of Babe (the Blue Ox,) the statue of the Unidentified Man, the statue of Mrs. McPherson, the statue of the Spirit of the Pacific, the statue of the Dead of the Great War, and as well all the little weeping statues in the roadside shrines for the accidental dead crushed by automobiles or fortune. But where were they on this night? All gone, every one. He froze with terror.

He saw a little figure running through the snow. A little woman, weeping. He had seen her before, on her pedestal, she might have been Jane Austen, she might have been Our Lady of the Seven Sorrows, she might have been the Spirit of Temperance or the Spirit of Pacificness. But he ran to the Woman of Absolution, he ran to the Mother of the Christ. Seven tin swords were driven through her heart.

“Dude,” she said, looking up at him, panting for breath.

     “Dude. You’ve got to carry me! I’m exhausted because I am too small to negotiate my way on foot through the depths of this snow. If I were to acquire a little hippie wagon or even a mini-van I wouldn’t need your help, if I could afford the gas and if my feet could reach the pedals. But I know you, I’ve seen you, you must help me. Carry me, Mr. Schrobberbeeck.”

The bell tolled too many notes through the thick white night.

“Holy Mother I cannot pick you up,” he cried out in fear and trembling, awaiting the mystery, awaiting his end.

“Listen, pal,” she said shortly. “I must make it to my son’s mass at the Pond, his big Christmas party and I will be late because I was made late. This evening, as I was preparing to attend my Son’s feast - plenty of time to get there even in this stupid snow - a pitiful man came to me, to pray to me. He was a fisherman, he said, and had fallen in with a defrocked priest who had taught him the ins and outs of the Black Ambrosius. He prayed for my help and he was so piteous that I stayed to help him.”

“He is saved then?”

“Yes. Hurry, carry me now.”

His heart rose and his care dropped away and he picked her up and ran with her, light as a feather, through the beautiful snow.

His steps seemed to sail, to fly. Over a long stretch of slope and snow, he saw a moving cross, dimly seen, heading a little parade that struggled up the hill through the park and toward who knows what. It was an unholy parade, perhaps, but he stopped for breath he did not know he had and he could see around the procession, the statues in human form gathered around the central float and up upon it was certainly God himself, so far as he knew.

“Put me down,” she said. ìI will not be late for my son’s feast.î She looked back at him.

     “Forgive me,” she said enigmatically, her tiny self then turning and trudging through the snow. A small music, something about reindeers perhaps, drifted up to him from the parade.

     He could not go on without seeing something, he thought, although he was clearly not invited. He crouched behind a tree and stared. He saw all the statues, but in their human forms, all gathered around the windblown float that came up last in the parade, upon it a great figure of a man, bearded with age, clothed all in red and white. The littlest Mother stood up next to the saint, whose large being graced that float. His heart was as big as the storm that had been. Around the figure were all his mothers, not as solid statues, but as living things: The Mother of Five Wounds, the Mother of Imaginary Reindeer, the Mother of Red Roses, the Mother of Daily Bread, the Mother of Refuge, the Mother for a Holy Death, the Mother of Ho Ho Ho, the Mother of Devotion, the Mother of the Woods, the Mother of Seven Sorrows, the Mother of Jolly, the Mother of Rest, the Mother of Lovers, of Purgatory, of Invention, of Giving. As Schrobberbeeck watched, from far away, he saw that Santa’s heart might burst like a grape the way heíd heard Christ’s had. He shouted out then, a shout as loud as that he’d shouted at cars but two short years ago.

He shouted out “Hey!” And then, “He is forgiven!”

All the heads of all the paraders snapped around but they could not see Schrobberbeeck, hidden as he was behind a tree, and the float lurched forward somewhat, drawn by a small lawn tractor, and then suddenly there was a loud crack and the ice broke on the Pond where they all stood and the ice was thin and covered with snow so they had not known the danger when they paraded and then the float tipped perilously and Santa was thrown off, clutching at tinsel and everyone ran out in a circle from the sinking tractor and float. Ice cracked, music drowned, little screams and shouts echoed up the slope. Santa’s heart, so far as Schroberbeeck could see, did not break.

Why this made him happy, he did not know. But he was content and went on to Mass and prayed and knew not why. He made his way the long way around. Snowplows had begun their work. He slept peacefully, not so drunk after all.

The next day all the statues were back in their places, made of their familiar materials, far from being human flesh. A groundskeeping crew - after hauling the float out of the pond - found Crab Man, his hands grasping at the bars of the black iron grate that enclosed the little Lady of the Seven Sorrows. A yellow snake lay beside him with its belly slit open, terrible to behold. Crab Man was as dead as the Dead Ambrosius himself.

Schrobberbeeck became a different person. He lost all fear and awaited solemn moments. He longed for more mysteries. He looked out for them and they were his friends. Outwardly he seemed the same. He lived in his horrible broken house on Alder Street and he drank and he stole. These things were in his bones and not even the strongest emotion of his soul could change that about himself.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Putting the X back in Xmas

December 11th, 2006

“A member of St. Nicholas Catholic Church portrays Jesus while riding a lawn mower during the parade.”
The picture above and its caption appeared in the local weekly, the Mystery Island Slack Tide, a newspaper that at times rises to sublime heights of comedy proofreading, so insane and so often that I haven’t saved the mistakes over the years. This is typical of me, a person who cannot even remember simple jokes. Sometimes humor is best served by avoiding the obvious, however, and the Slack Tide’s Hilarious Headlines would be best served up in, say, Proctor’s Planet. But, proofreading isn’t the entire point here, there are deeper matters afoot.

Point being, as the Big Blonde Babe often says, point being the picture. You just can’t get something funnier than this picture on any number of levels. And look at the look on his face. When I first peered at him, I thought he might be slightly smiling behind the Insane Fake Beard, but now I think he’s uncomfortable, unsure of himself, perhaps hovering between a peremptory wave to his wife and daughter and a horrible sense that time is passing at an incredibly slow rate. And this Jesus has on a gold bracelet or watch and, best of all, sunglasses. The fact that he’s dragging a cart full of depressing Spring flowers makes it unseasonal for Christmas, but what the hell. It’s Jesus and the holiday is, if nothing else, named for him.

In other words, for most of us, of course, The Holiday has nothing to do with Him at all. It’s a cheerful Native Festival based around a yearly potlach-modeled gift/blackmail wealth distribution system, featuring a kind of display of ancient music forms with incomprehensible lyrics and legendary figures with or without red noses and features best of all, the worship of the real hero, the reason the whole thing should be called Santamas anyway.

Why it’s Christ’s mass, we’re not sure, most of us. But if you ask us about Santa, we’re with you. We know why it’s Santa’s mass. Every credit card in our depleted wallets knows why. I think that’s one reason that the picture is so disconcerting. If Santa were riding a lawn mower, we would immediately understand. They got the wrong guy on the mower and our Member is understandably confused, perhaps, as are we.

As well, we are assured that the person pictured is not Jesus Himself, but a Member portraying Him WHILE RIDING A LAWN MOWER. That’s the key point, the proofreading point, the editing point. A point worthy of capitalization.

Is The Member portraying Jesus while he, himself, is riding the lawn mower, or is he portraying a Jesus who is Himself riding the lawn mower? It’s not a minor point. This opens up a world beyond proofreading. Followers of Jesus will be quick to point out that He can do many more miraculous things than simply riding a lawn mower, in other words it’s perfectly plausible that Jesus might have ridden one, nothwithstanding the tremendous disparity in Time between the supposed death of Jesus and the commercial availability of the lawn mower. Think of the few things your santa-pagan brain knows about Jesus: water to wine, loaves to fishes or vice versa - whatever - and that whacky coming back from the Dead and not even mentioning the virgin birth thing. He might have created a lawn mower from a frog, he might have transported himself into a Future where a Time Traveler a little too large for the lawn mower still rode one. You can’t win this argument, and don’t bother.

On the other hand there’s the perfectly plausible argument from the even-handed Absent Proofreader that we’re merely looking at a guy dressed up as Jesus who is PORTRAYING Him while at the same time trying to drive a lawnmower downhill in front of townspeople while dragging a cart behind, blinded by the sun and wearing essentially a dress and a false beard and a wig. This in itself would be a considerable accomplishment, and the Slack Tide’s photographer has understandably not caught the intense pressure that would be felt by the innocent Member who is - at the same time - portraying someone who essentially commits suicide for the pleasure of a Guy who theoretically fathered him without actually penetrating Mom.

It’s all fraught with problems, it’s all deeper than it looks. In defense, over the years, I’ve come up with an antidote to the problem of Jesusers feeling slighted by Kwanzites, or Hebrites, or Pagites or Musites horning in on a holiday they consider theirs by virtue of an accident of nomenclature. My Holiday Peacemaker is called; “Let’s Put Jesus Back in Christmas.” And my plan involves simple lyric changes: When you peruse the following list, you’ll probably want to come up with some of your own.

“It’s Beginning to Look a Lot Like Jesus”
“I Saw Mommy Kissing Jesus”
“Jingle Jesus”
“O Come All Ye Jesus””
“O Little Town of Jesus”
“Walking in a Winter JesusLand”
“Here Comes Jesus, Here Comes Jesus,
Right Down Jesus Lane”
“Jesus We Have Heard on High”
“Deck the Halls with Boughs of Jesus”
“God Rest You, Merry Jesus”
“Silent Jesus”

Gather the kids, round up the neighbors, write in the changes on the sheet music and set out for some caroling.

Got a lawn mower? Ride it. ’tis the season.

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